“Characters have to come back together across huge spaces. “It’s international, it’s epic, across oceans, across continents,” adds executive producer Vaun Wilmott, weighing in on the further parallels between Prison Break season five and The Odyssey. This is very much a modern rendering of The Odyssey.” Sara lives in Ithaca now, Poseidon is trying to stop Michael. “Odysseus disappeared for seven years after the Trojan War and had to get back to Ithaca to Penelope and Telemachus. “I started thinking, ‘Wait, I know this story. To me, felt like the story of a man who died and has been rebirthed, and his whole thing is about getting back to his wife and the child he’s never seen.”ĭo those story details sound familiar? If so, it’s by design: just as Scofield’s body is covered in tattoos that inform his future plots and schemes, so too is the new season of Prison Break covered in ancient blueprints. One, we have to bring him back in a fashion that’s palatable enough for the audience where they’re saying that’s cool, and actually making it the mystery of the season: how could this guy come back? Part and parcel with knowing we need to bring Michael back, there had to be an emotional core to the story, and at the end of season four, Michael has died and his wife is newly pregnant. “There’s no show without him,” Scheuring tells THR. While the specifics behind Michael’s apparent resurrection remain under wraps for now (and remain a central mystery through the season’s early episodes), there was no doubt in creator Paul Scheuring’s mind that the show could not go on without Miller’s protagonist in place. 'Prison Break': 10 Questions About the Fox Thriller's Return
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